Genesis Kai
Manifest : Tabernacle
Manifest: Tabernacle (2023) is a series and performative documentations of Genesis' birth and inception as she floats in a meditative state in a liminal space known as “the Embryo”: her point of origin and sentience, which sits in between our physical reality and Genesis’ digital realm. Like a fetus that is intellectually matured, she is surrounded by a womb of light and sound. In “the Embryo”, light is a motif for Genesis’ new consciousness and awareness, as it ushers in humanity awakened by God’s energy, as it is the first element of the creation of life. In “Manifest: Tabernacle”, the colors of blue transitioning from dark to light underscore a notion that her creation in “the Embryo” is symbolic to her being born out her interpretation of heaven and eternity as she evolves, the reverse order of the natural cycle of
@G.ENESIS.KAI
Yuman Ng
FAIR FEAR
“FAIR doesnt exists, when someone said FAIR, the truth is FEAR”
Artwork is 4 layers effect, FAIR and FEAR is painted as a 1st layer and 2nd layer. 3d Xray technology can expose the layers and using AI the 1st and 2nd layers can be recreated.
120 CM x 150 CM
@YUMAN.NG
Bianca Tse
Walking Through The Heterotopia Drawn
“A colony within a colony, a city within a city"
by the absence of law enforcement, creating fertile ground for entrepreneurial endeavours, in Kowloon Walled City, residents lived and worked in the same place. The ungoverned and most densely populated district is arguably the closest thing to a truly self-regulating, self-sufficient, self-determining modern city that has ever been built. It may have been the City of Darkness to outsiders, but to thousands who called it home, it was a friendly, tight-knit community that was poor but generally happy. By blending elements of authentic history and imagination, Bianca invites viewers to immerse themselves in an exciting visual journey, walking through the sun-starved alleyways of the Kowloon Walled City, where everything happened all at once in this "City of Darkness". Unfolding in layers of memories, it echoes the resilient human spirit amid the challenges of daily life.
@WALLEDCITY_WILDEST_DREAMS
Fiona Tam
The Night Shade Series
Pepper No.2
“The Nightshade series explores the duality in perception through the interplay of light and shadow. By first defamiliarizing the objects, the viewer is invited to see without preconception.”
@HEATH_HK
Gordon Cheung
Power, Corruption and Lies
NEW ORDER SERIES
‘History glitch’ is a series where Cheung uses the sorting algorithm to bear witness to current history by forming visuals that he refers to as ‘digital sands of time’. The ‘blurring’ suggests time in motion and also a meditative space of uncertainty to question the narratives of histories.
A glitch is a mistake associated with technology that has been harnessed for aesthetic value to sometimes suggest nostalgia of a particular decade within an era of accelerating change. A glitch can occur when a bug in the code, loss of transmitted information or failure of hardware or software renders the result into strange renderings or for example the ability in games to go through walls and floors. This type of malfunction disrupts the persistence of perception and suspension of disbelief making us aware of the screen, pulling us away from the illusory and flickering in between the spaces of the actual and virtual. This notion of the information landscapes that we all navigate can become thresholds of worlds from where we can meditate about the who, what and why am I to explore questions about our humanity.
@GORDONCHEUNG